In Meditation 3.1, Marcus notes that there is beauty even in the side effects and ‘unintended consequences’ of natural processes. Their fleeting nature almost intensifies their beauty. He has a true artist’s eye:
We ought to observe also that even the things which follow after the things which are produced according to nature contain something pleasing and attractive. For instance, when bread is baked some parts are split at the surface, and these parts which thus open, and have a certain fashion contrary to the purpose of the baker’s art, are beautiful in a manner, and in a peculiar way excite a desire for eating. And again, figs, when they are quite ripe, gape open; and in the ripe olives the very circumstance of their being near to rottenness adds a peculiar beauty to the fruit. And the ears of corn bending down, and the lion’s eyebrows, and the foam which flows from the mouth of wild boars, and many other things — though they are far from being beautiful, if a man should examine them severally — still, because they are consequent upon the things which are formed by nature, help to adorn them, and they please the mind.